Stockholm-almost
does it look like Stockholm? If you have ever been there you would probably say no. Does it matter, not to me. This spot is a good 30 minutes outside that amazing archipelago gathering of islands they call Stockholm. This spot is an outskirt, there are project highrises visible from where I am staying, a little apartment that is part of a tower at the end of one building that comprises the circus complex housing the national circus school as well as the modern circus ‘Cirkus Cirkor.’ There should be photos, but I deleted a whole slew by mistake. I am here with 19 other clowns without borders people, from 9 different countries, for our 3rd annual summit. Slowly the group moves from a meeting of rather separate organizations in 6 countries, to one where we are discussing projects in common, and looking to officialize a Clowns Without Borders International. Yours truly is the international ambassador, and fascilitator and moderator for the meeting. Three days in the circus environment, our meeting room right above my little apartment, a tower at one end of the building.
The meeting room is full of light, windows on all sides, and the discussions are full of light as well.
that’s Jonathan Gunning of the new Clowns without Borders Ireland making a point, with humor. the plastic hammer in the foreground is our talking stick and moderation tool-if anyone gets out of hand, the hammer bomps with a loud obnoxious squeek, everyone laughs and we move on. The hammer barely gets any use all weekend. This is to say that there are lot’s of positive discussions about how to cooperate more, and get more laughter into places where it is needed.
the circus school is quite a story in itself, a few trailers are parked in the lot outside the building, with some students living in them. The school is very active, offering professional training as well as an alternative high school path. Sorry no photos. but here is a link to their site:
http://www.cirkor.se/
Behind the school are the woods,
and a few minutes away is a small lake, a complex of small apartments, all painted in yellow, and community gardens.
I get caught up in taking a photo of blue chairs in front of one of the yellow apartments
In the middle of my artistic deliberations, I am interupted by a voice from the balcony. There is a man who wishes to know just what I am doing. A long discussion about just why I am taking the photos ensues. He doesn’t like my answer that I am taking the photos because I like the blue chairs. He doesn’t laugh when I put on the clown nose, however it does disarm him a bit; enough to ask if I am taking pictures because i am interested in buying the place (whether he likes it or not). Evidently the clown nose is not enough on it’s own, but my words of reassurance allows the conversation to end on a pleasant note.
There is this beautiful old mansion, also yellow, with a clock tower, and baroque fringes that is very intriguing.
I pass by it everytime I go to the big yellow house, another one, not as fancy, next door, where everyone in the clown world is staying and eating . It has some kind of official purpose, and some mystery associated with it as well.
I am told that this is a work place of sorts for people who have to do community service. Well dang, Sweden has something going on here that is looking good, at least from the outside.
There is also a broken down boat in their gardens. who knows.
I am told that they are working on it a lot, but it sure doesn’t look like it. Then I spot another boat, upright in good shape it would appear, covered by a tarp. Perhaps that one looked like this a year ago. Who nose?
F-X from Canada, and Heiko, from Germany.
Countries at the Clowns Without Borders meeting: Spain, France, Sweden, Canada, USA, Belgium, along with new members: Ireland, Germany and South Africa.
Sevilla to Salzburg
I ask him if he was born in La Algaba. Yes Yes. And how was it different back then?
Everything was orange groves he tells me as we drive the 6 kilometers into Sevila. He gestures across fields to a myriad of housing projects and suburban developments, and the occasional holdout orange field.
It used to rain he says. It wasn’t this hot. When I was a kid people slept outside, where ever they felt like it, no one locked doors.
When I discussed the rain with a few locals as we assessed the evening sky, and I asked if they thought it would rain. “Va venir el agua” he tells me, the water is coming.
Unexpected sight as the hotel van crosses the bridge towards town, the vibrant elder driver points out this strange metal grey dome. ‘Christopher Cololumbus’ he tells me, as the active churning of wastewater treatement plant directly below the bridge attracts my attention. The only holdoever from the world’s fair, the driver tells me and as we pass by, from another angle, there is a huge statue of the man. I have the hotel ‘Torre de los Gussman’ 11 am 2 euro shuttle into town to myself.
Ah the beauty of Sevilla. After three days in La Algaba, I am swept up by the colors of the town, plunging immediately into the small side streets. I come across a house with straw shade shutters, seemingly old traditional style. My camera claims my attention.
i am drawn into this walkway near the Bullfighting ring, a must see i am told. I am not too enthused by the whole drama and gore of the bullfighting world, and a sudden swarm of tourists as i round the corner to the entrance, and the 7.5 euro entrance fee has me back exploring the sidestreets.
the esthetic of the arches calls me in closer
my eyes brighten at discovery
circus in other contexts.
images of beauty of Sevilla…
what’s inside these archways?
Well in Salzburg they do not call the rain the water, however after a very dry spring, they are not complaining about the heavy soaking rains that graced most of my time there. Two fun shows for the thirtieth anniversary of the ST Virgil Bildingshaus (Learning Center) and then a two day workshop with 16 motivated participants seeking to ‘humor their human’.
From the dryness of Sevilla to the green wonder of the nearby alps.
Wet Wet Wet, no photos of the Salzburg beauty, the huge castle on the hill and more green onioned churches…ah but the main shopping street…

a ittle bit of sacred mischief?
Next up, the meeting of Clowns without Borders, International, in Stockholm. 20 clowns and administrators from 9 countries….
from Aatnang to La Algaba.
hello world,
bringing humor to the people, in the land of onion shaped church steeples, Austria.
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right near the beauty of the low mountain lake at Gemung

teaching a workshop in the basement of the Aatnang church

we go to eat in the local Italian restaurant, a converted traditional restaurant

The second day of the workshop is May 1st, which in most parts of the world is labor day, hence a holiday. Why is it that the US chooses a different day to celebrate as labor day? A question that has crossed my mind a few times. Meanwhile, it turns out that May 1st is also the day for pilgrimages to the Aatnang church. I am surprised by this procession of men, only men, walking down the main stream, an audible sound of prayer in the air. One hundred or so men, many chanting along, some holding their hands in specific pose. One holds a mast up high. I figure some type of icon, but it turns out to be two little speakers and a wireless antenna. Evidently modern technology is in action too, broadcasting the priest’s prayer to the faithful as they walk along.

I decide to start the afternoon in the beautiful garden full of little flowers, trees, smells and a pleasant breeze.

A perfect atmosphere to look for the lighter poetic side of clown. Everyone is having a marvelous time, until the priest in black robes and white pompom accoutrements passes by above. One glance at us, and he demands we cease and desist. No room for play here today, at least not in the sweet spring garden. We create one inside instead.
A few plane flights the next day and i find myself in a quite different environment. La Algaba, Spain.

The poorest town neighboring Sevilla, some 6 kilometers away from the splendour and touristed city. I think it would be safe to say that no tourist has strayed into this little town. The town though had the great idea three years ago to start a music and theater festival, hence my presence here. In town the day before I play, I go into the little town to enjoy the evenings offerings. Los Gingers, a great comedy circus show is performing.

They mix high level acrobatics, juggling, teeter totter and other circus skills with a great sense of humor. There is extensive slapstick as Ramiro,

oh the posed macho, continually runs into poles, slips and falls that has the audience falling out of their seats laughing.

Their show is in a public housing complex where it would seem not much else takes place.

I am told that it is not the best of neighborhoods, some 160 forced detentions (arrests) the past two years. Considering that the project is home to around 500 people, this is quite high for Spain. There are bars on second and third floor windows

There are also a lot of green flags hanging out windows, draped off of balconies everywhere. No not nationalism, or election time. Football (soccer) fans, or perhaps fanatics. There are two teams in Sevilla, one has green flags, the other green and white striped. They are arch rivals i am told, although some balconies have both flags hanging side by side. A few buildings have exclusively one flag or the other. No doubt there are some good stories to be told. Today the focus is on Los Gingers, whose techinical virtuosity and great humor is delighting this jaded I’ve seen everything clown.
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needless to say, I am not the only one.

Onwards into the evening, and to another neighborhood of La Algaba, a relatively normal neighborhood, where a small park has been transformed into a performance space for Portugal’s Circolanda, which offers a nighttime show around a circle of prepared earth. The neighborhood is out and waiting, and finally as darkness unfolds the show begins, a group of men on bicycles playing brass instruments arrive on the scene after a video projection of them exploring the countryside ends. they have somewhat dirty faces, and frumpy clothes. The music sounds rather slavic, and is something of a conversation between them. the show is quite visual with beautiful images but the clown in me is wishing for more interaction between them and humor.

May 3rd. the organization of the festival brings me to the spot where i am going to play, a small square in yet another part of town. There has never been a show in this spot, and as I am taking a look around the several of the neighbors come out. I am going to block a garage door in a corner, and a person appears at the doorway, so i go to introduce myself. i explain that his door will be blocked off during the show. He is fine with that, and invites me in to visit his workshop behind the door.

That would be the man in the middle of the photo. He works with metal he tells me, silver and gold. I ask him how long he has been there-18 years. Earlier I had asked his neighbor the same question, 35 years he answered, and explained that he had built the house himself, with his own hands, as if he were being paid to do it he adds.
I am surprised by what I find behind the metal garage door. the walls are full of dusty posters, and designs for various items he has built.

It would seem that most of what he makes are religious icons for the semana santa-easter-processions.

Later on during the show, I have a great time starting from behind the narrow door that is part of the garage door, banging into it ‘by mistake’ numerous times. The audience loves it, and it becomes a theme of the show everytime i need to go back inside to get a few more props running into the door and slapping my flat hand hard against the side of the opening as i jerk my head back as if i had hit it. The metallurgist’s father shows up wanting to get inside but has to walk right through my stage to get to the door, so of course I play with him. We have a good moment, and so does the audience.
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next up. Sevilla to Salzburg
About Moshe Cohen a.k.a. Mr. YooWho
Moshe’s has a strong interest in “Sacred Mischief”, the role clown plays in community as a catalyst for levity. In this context, the word ’sacred’ is not a reference to high and holy, it refers to being ‘Just’ human.
Moshe Cohen (California) performs internationally. the New York Times says “His Indian name would be Dances With Penguins.” His performance itinerary is quite diverse, including last year the Anjos Do Picadeiro festival in Rio de Janeiro, the 40th anniversary of the Zen Center in Los Angeles, and, with Clowns Without Borders, IDP (internally displaced persons ) camps in and around Khartoum in Sudan.
In parallel with his performing, Moshe teaches workshops about ‘humoring one’s human’ in circus, clown and theater schools worldwide, as well Universities, Elementary Schools and Zen and spiritual retreat centers. He actively bolsters the work of Clowns Without Borders, both as founder/director of the US branch and as international ambassador.
For more info about Moshe, visit his website at www.yoowho.org. He has posted a few videos at youtube: http://youtube.com/user/yoowho22
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